Play Along Piano

Tags

Baroque

Cepheus Elf

0:48	Est. Play Time
33	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	0	2	5	77%
	17	9	2	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	0	2	5	77%
	17	9	2	3	100%
	17	1	3	7	100%
	14	0	2	7	76%

HWV1A2N28 - Ob dein Mund wie Plutons Rachen

edward.maurath

5:23	Est. Play Time
49	Measures
	1,182Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
Cembalo Continuo	15	20	4	6	77%
	20	2	4	3	89%
Oboe 2	15	0	3	5	89%
Viola	15	0	0	3	80%
Violin 1	19	0	1	6	80%
Violoncello Continuo	15	0	1	3	80%
Violone Continuo	15	0	1	3	80%
Violin 2	18	0	2	5	77%
Tenor as Fernando	15	0	4	8	55%

Jazzy+Arabic+Baroque

SQUID

0:42	Est. Play Time
21	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Electric Piano	23	15	1	5	100%
	14	11	1	2	71%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Electric Piano	23	15	1	5	100%
	14	11	1	2	71%
Bass Guitar	17	0	2	9	67%
English Horn	11	0	3	8	48%
Sitar	11	0	1	6	19%

While My Guitar Gently Weeps Baroque Style

Carlos M. R. Coelho

3:00	Est. Play Time
92	Measures
	1,395Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cravo	24	19	5	9	98%
	19	10	4	2	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cravo	24	19	5	9	98%
	19	10	4	2	100%
Violoncelo	21	5	5	7	100%
Violino	24	8	5	5	82%
	22	3	6	8	88%
Fagote	17	0	2	5	75%
Oboé	12	0	1	7	64%
	11	0	1	5	49%

Rondo e-moll

jan.gasper.0

3:04	Est. Play Time
77	Measures
	1,305Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	16	2	5	100%
	15	0	2	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	16	2	5	100%
	15	0	2	4	100%
Violončelo	15	0	2	4	100%
Husle	12	0	1	4	68%
	9	0	1	4	68%
	17	0	2	5	77%
Zobcová flauta	15	0	2	5	42%
	15	0	2	5	40%

"Da tempeste il legno infranto" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

8:36	Est. Play Time
100	Measures
	2,042Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	49	4	6	100%
	20	55	4	6	99%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	49	4	6	100%
	20	55	4	6	99%
Harp Continuo	21	46	4	6	100%
	20	54	4	6	99%
Violoncello Continuo	19	0	4	5	99%
Violini	19	16	3	5	76%
Contrabassi Continuo	16	0	2	3	75%
Violoncelli Continuo	16	0	2	3	75%
Cleopatra	16	0	2	5	72%

Handel: HWV 57: Samson, "Total Eclipse"

edward.maurath

3:16	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	55	9	8	95%
	21	8	3	6	92%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	55	9	8	95%
	21	8	3	6	92%
Cello	17	0	3	6	87%
Violins 1	17	0	1	7	75%
Violins 2	16	0	1	8	75%
Samson	15	0	5	6	72%
CBass	16	0	2	6	69%
Violoncellos	16	0	2	6	69%

"Hai tanto rapido" with ballet from Terpsichore, prologue to 'Il Pastor Fido,' HWV 8 (1734)

edward.maurath

6:33	Est. Play Time
142	Measures
	1,083Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	19	0	2	6	97%
Violini 2	15	0	2	4	97%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	19	0	2	6	97%
Violini 2	15	0	2	4	97%
Cembalo (Continuo)	23	45	4	6	50%
	19	13	2	3	56%
Violoncello (Continuo)	16	0	1	3	56%
Violas	12	0	1	5	53%
Contrabassi (Contrabassi)	14	0	1	3	52%
Violoncelli (Continuo)	14	0	1	3	52%
Soprano as Apollo	12	0	1	6	50%
Flute	12	0	1	7	44%
	13	0	1	5	44%

"Tutto può donna vezzosa, s'amorosa" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

19:47	Est. Play Time
146	Measures
	1,291Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	82	10	7	98%
	19	7	6	5	81%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	82	10	7	98%
	19	7	6	5	81%
Violini Tutti	21	0	5	7	76%
Cleopatra	15	0	4	6	62%
Violoncello Continuo	18	0	4	5	61%
Oboe	12	0	1	7	59%
Contrabassi Continuo	17	0	2	5	51%
Violoncelli Continuo	17	0	2	5	51%
Bassoon Continuo	15	0	0	5	44%
Viole	10	0	0	5	34%
Bassoon Viola	10	0	0	5	16%

"Then free from sorrow" from "Samson," HWV 57, (1741)

edward.maurath

3:09	Est. Play Time
63	Measures
	1,039Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	17	53	4	4	89%
	18	15	1	4	90%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	17	53	4	4	89%
	18	15	1	4	90%
Harp Continuo	17	53	4	4	89%
	18	15	1	4	90%
Violoncello Continuo	17	0	1	4	90%
Violini 1	16	0	2	7	67%
Violini 2	17	0	3	8	67%
Contrabassi Continuo	15	0	1	4	59%
Violoncelli Continuo	15	0	1	4	59%
Philistine woman	14	0	3	5	56%

"Non disperar, chi sa?" from HWV 17

edward.maurath

0:01	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	24	12	6	6	98%
	23	4	6	5	98%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	24	12	6	6	98%
	23	4	6	5	98%
Harpsichord	24	10	7	6	98%
	23	5	7	5	98%
Continuo	23	0	6	5	98%
Cleopatra	16	0	5	5	72%
Violini	16	0	2	6	62%
Celli	17	0	1	3	56%
Violas	11	0	0	4	33%
Kontrebaß	13	0	0	2	21%

Chacconne from Terpsichore, HWV 8 (last version)

edward.maurath

6:50	Est. Play Time
178	Measures
	1,620Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	20	0	6	6	84%
	20	0	5	8	84%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	20	0	6	6	84%
	20	0	5	8	84%
Viola	17	0	4	6	84%
Harpsichord	17	49	2	7	74%
	20	3	3	7	76%
Contrabass	20	0	3	7	76%
Violoncello (Continuo)	20	0	3	7	76%
Bassoon	20	0	5	5	21%
Oboe	13	0	6	6	17%
	12	0	3	6	17%

"parolette, rezzi e sguardi" from "Rinaldo," HWV 7 (1731)

edward.maurath

0:01	Est. Play Time
98	Measures
	1,841Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	25	92	5	11	77%
	20	7	3	10	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	25	92	5	11	77%
	20	7	3	10	100%
Violoncello (Continuo)	18	0	3	8	100%
Soprano as Almirena	13	0	2	11	77%
Violoncelli (Continuo)	17	0	2	7	76%
Contrabassi (Continuo)	16	0	1	7	75%
Violin	17	0	2	8	75%

HWV56 N 48 u EJM - BAS=The trumpet shall sound=D Major

edward.maurath

9:34	Est. Play Time
342	Measures
	5,290Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	22	1	5	8	95%
Violoncellos	22	1	5	6	95%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	22	1	5	8	95%
Violoncellos	22	1	5	6	95%
Violone	22	1	5	6	95%
Harpsi	20	83	5	6	90%
	27	52	7	6	76%
Basso	16	3	4	7	72%
Trumpet In C	14	12	2	9	70%
Violin 1	16	65	2	9	59%
Viola	14	0	1	8	51%
Violin 2	14	0	1	7	11%

HWV56N46 - Since by man came death

edward.maurath

1:45	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alti	9	0	2	5	92%
Bassi	15	0	3	5	92%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alti	9	0	2	5	92%
Bassi	15	0	3	5	92%
Soprani	12	0	3	5	92%
Tenori	10	0	1	5	92%
Organ	17	56	4	4	69%
	14	18	3	4	69%
Cello Continuo	16	0	2	4	67%
Contrabass	16	0	2	4	64%
Viola	13	0	1	4	64%
Violin I	13	0	3	4	64%
Violin II	13	0	2	4	64%